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The notion of a ‘many-sided man’ was rarely more wholly applicable to a British artist than...
The stripe doesn’t wait, doesn't stand still. It is in perpetual motion (that’s why it...
Going against the grain of Ad Reinhart’s view of sculpture as ‘something you bump into when...
In the 1950s the dominant figure in British sculpture was Henry Moore (1898–1986) and the...
The New York Public Library is in a class by itself. It has not only the usual accoutrements you would...
The artefacts currently on show at Norwich’s Sainsbury Centre are mouth-wateringly lovely. The...